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This shows you the differences between two versions of the page.
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| start [2022/12/28 11:56] – [ECHO Project] admin | start [2023/02/02 16:18] (current) – [I.M.A.P.I.] admin |
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| ==== I.M.A.P.I. ==== | ==== I.M.A.P.I. ==== |
| {{ :imapi:imapi.png?200|}} | {{ :imapi:imapi-prism-1300x350.png?300|}} |
| The [[https://imapi.hypotheses.org/|I.M.A.P.I]] project (Interprétation Musicale en Acoustique Patrimoniale Immersive) is part of the archaeo-acoustic framework and consists of an attempt to recreate the historical ambiances of a major heritage site for music in the Mediterranean region: the Pontifical Chapel of the Palace of the Popes in Avignon. This building, which was one of the major centers of polyphony in the 14th century, is still today one of the most suitable places in the region for the interpretation of medieval vocal music as instrumental music. The aim is to question the listening of 14th century heritage music through a corpus of polyphonic works, interpreted via an immersive virtual acoustic environment reproducing the papal chapel around 1362. This reconstruction will enable exploring new avenues of research into historically informed musical practices and the interaction between the musical gesture and sound space with which it resonates. | The [[https://imapi.hypotheses.org/|I.M.A.P.I]] project (Interprétation Musicale en Acoustique Patrimoniale Immersive) is part of the archaeo-acoustic framework and consists of an attempt to recreate the historical ambiances of a major heritage site for music in the Mediterranean region: the Pontifical Chapel of the Palace of the Popes in Avignon. This building, which was one of the major centers of polyphony in the 14th century, is still today one of the most suitable places in the region for the interpretation of medieval vocal music as instrumental music. The aim is to question the listening of 14th century heritage music through a corpus of polyphonic works, interpreted via an immersive virtual acoustic environment reproducing the papal chapel around 1362. This reconstruction will enable exploring new avenues of research into historically informed musical practices and the interaction between the musical gesture and sound space with which it resonates. |
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