Differences

This shows you the differences between two versions of the page.

--- start [2024/10/20 20:39] – admin
+++ start [2024/10/27 13:36] (current) – [HeSoAN] admin
@@ Line 161: / Line 161: @@
 ----
+==== HeSoAN ====
+{{ :hesoan:hesoan.jpg?200|}}
+The HeSoAN (Hear the Sound of Ars Nova) project aims to conduct experimental research on the interpretation of //Ars Nova// music, as it was sung in the papal chapel of Avignon in the 14th century. Led by [[https://ideas-cnrs.univ-amu.fr/annuaire/julien-ferrando|Julien Ferrando]], this research is carried out within an experimental framework in archaeoacoustics, relying on a 3D architectural survey that accurately reconstructs the ceremonial space of the papal chapel as it resonated around 1362. The project will allow for a detailed investigation into the auditory experience of musicians (performances within the reconstructed medieval context) as well as the heritage dimension (the reception of the works in the medieval acoustics). It will also examine the reception of polytextual musical works (motets and mass movements), furthering our understanding of the effects of compositional techniques and the subtle interactions between text and music as conveyed to various audiences. The HeSoAN project will offer a new way of understanding the musical and sonic history of this significant medieval monument.
+In 2024-2025, a series of experiments will be conducted with the LAM team (IJLRDA, SU), the IDEAS laboratory (CNRS / Aix-Marseille University), the Musica Nova ensemble (Lucien Kandel), and the Diabolus in Musica ensemble (Nicolas Sansarlat). This innovative experimental setup will open up new avenues of research into the musical gestures that emerge from these experiments.
+Through a selected corpus of monodic and polyphonic productions linked to the papal chapel, this experimentation will facilitate:
+  - Archaeoacoustic studies concerning the placement of singers within the ceremonial space of the 14th century.
+  - Proposition of an immersive museum journey into the musical history of the Palais des Papes in the 14th century.
+Preliminary results of the experiments and analysis of performers' testimonies will be presented through a series of filmed interviews and post-experimentation surveys. This project falls within the realm of practice-based research, with collaborations between scientists & scholars (musicologists, acousticians, aestheticians) and artists. The experimental immersive heritage acoustics recordings will contribute to the future immersive visitor experience of the Palais des Papes.
+----
 ==== AEEHmusic ====
 {{ :hvb:chantnoirlac04.jpg?200|}}
-The [[https://www.mshb.fr/projet/aeehmusic|AEEHmusic]] project (Archaeological-Acoustic Exploration of a Liturgical Chant Model (Hildegard of Bingen) in the Context of Early European Music of the First Millennium) is a collaboration led by Géraldine Gaudefroy-Demombynes (Université Rennes 2).
+The [[https://www.mshb.fr/projet/aeehmusic|AEEHmusic]] project (Archaeological-Acoustic Exploration of a Liturgical Chant Model (Hildegard of Bingen) in the Context of Early European Music of the First Millennium) is a collaboration led by [[https://perso.univ-rennes2.fr/geraldine.demombynes|Géraldine Gaudefroy-Demombynes]], Associate Professor in Musicology at the Université Rennes 2.